My artistic practice revolves around the intersection of hauntology and materiality, in which inanimate objects carry echoes of their original design and function and link to our previous personal experiences of them as well as their wider cultural significance.

I carry out research into the profound influence these objects still wield in our current lives by investigating the connection we had with them during our formative years. Over time, a curious disconnect has developed in our relationship with these objects, and I strive to express this emotional detachment through my work.

I employ everyday objects as the common threads woven throughout our personal experiences. Through their transformation, I strive for a reappraisal of these objects and in doing so question the attitudes, fears, and unspoken norms that have moulded our surroundings and influenced our behaviours.

My primary focus centres on the language of materials and the transformative possibilities inherent in manipulating and rearranging their properties. I employ a diverse range of media, including sculpture, installation, film, ceramics, and kinetic sculpture.

In this exploration of the material world and its connection to our everyday lives, my work draws inspiration from Michael Gardiner’s writings, which sheds light on the profound significance of the mundane in understanding broader cultural and societal dynamics, David Batchelor’s writings, that investigate the significance of colour, materiality, and their psychological impact on art and culture. I also reference works of Ai Weiwei, Sarah Sze, Tania Bruguera and Kara Walker.